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Pre raphaelite movement or pre raphaelite brotherhood pdf notes - ppup part 1 english honours notes and study material pdf

[ Pre raphaelite movement or pre raphaelite brotherhood pdf notes | ppup part 1 english honours notes and study material pdf ]


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Introduction to Pre Raphaelite movement or pre Raphaelite brotherhood pdf notes


Table of contents - Question. What is Pre-Raphalite Movement or Pre-Raphalite Batherhood?	 Question. Note on the Name of Seven Members of pre-Raphalite Batherhood ?	 Question. The Formation and End of the Pre-Raphaelite Brotherhood	 Question. The significance of Pre-Raphalite Movement or Pre-Raphalite Batherhood	 Question. What are the Characteristics of Pre-Raphalite Movement or Pre-Raphalite Batherhood?	 Question. What are the Examples of Pre-Raphaelite Brotherhood Poetry ?	 Question. What are the Examples of Artistic painting of Pre-Raphaelite Brotherhood Poetry?	 Question. What is the Significance of the Pre-Raphaelite Brotherhood?

Question. What is Pre-Raphalite Movement or Pre-Raphalite Batherhood? | ppup part 1 english honours notes and study material pdf


Question. What is Pre-Raphalite Movement or Pre-Raphalite Batherhood?  Ans. - The Pre-Raphaelite Brotherhood was a seven member group of poets, artists, and critics from Victorian Era that formed in response to the Royal Academy.  They found the Royal Academy to be shallow and uninspired and drew their own inspiration from 14th and 15th century Italian art. They believed in a more spiritual, realistic approach to art- values that were common in the 15th century- and took issue with the Classical style popularized by Raphael- thus the name Pre-Raphaelite Brotherhood. (“Pre-Raphaelite Brotherhood”)  Pre-Raphaelite Brotherhood (PRB), founded in September 1848, is the most significant British artistic grouping of the nineteenth century. The Brotherhood set out to create to new and refreshing art for the modern age. They challenged the contemporary conventions of art.

The Brotherhood prized an almost photo-realistic accuracy, even to lesser elements of the painting such as those in the foreground, and they did so in a brilliant, lively color palette.  They drew inspiration from literary greats such as Shakespeare, Keats, and Tennyson. The members also openly encouraged the pursuit of all art- not just certain fields. They maintained that art is all encompassing and that artists should pursue a variety of forms, whether it be painting, poetry, or literature. Question. Note on the Name of Seven Members of pre-Raphalite Batherhood ? Ans. - The group was started by  William H. Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Woolner.

Question. Note on the Name of Seven Members of pre-Raphalite Batherhood ?


The seven-member group was modeled after the Nazarene movement, a group of German Romantic painters who sought to revive spirituality in art.    D.G. Rossetti (1828- 18820) was the leader of the Pre-Raphaelite poetry.  He was highly influenced by the Romantic poets and spellbound by the supernaturalism of the medieval age.  He depicted in hi9s poems a mysterious world ruled by beauty, mystery, wonder, and love.  His works are full of feminine beauty. Rossetti works include “The White Ship”, “The King’s Tragedy”, “The Blessed Damozel”, etc.  His sister Christina Rossetti is entirely different from him. She talks of religion in her poems. She sings of renunciation.

Rossetti also writes about love between husband and wife and the world of beauty and joy. Her Style is simple, spontaneous and lucid. Her famous works are “A Pageant”, “A Prince’s Progress, etc. William Morris (1834-1896) was a versatile genius. He also attracted towards the Middle Ages.  His volume “The Defence of Guenevere and Other Poems” is an ample proof of this. He was a great pictorial artist. His style is easy, simple and impressive. Some of his famous poems are “The earthly Paradise” and “The Pilgrims of Hope”. A.C. Swinburne (1837-1907) was primarily a pictorial artist. He is often compared with Shelley for his melody and images.  His skill in the use of figures of speech particularly alliteration and onomatopoeia is remarkable. His

most famous works are “Atlanta in Calydon” and “Songs Before Sunrise”. Conclusion Thus, Pre- Raphaelite movement during the Victorian Era made Remarkable contributions in the sphere of poetry. It is, however, strange that the pre-Raphaelite movement did not survive for a long period.  Question. The Formation and End of the Pre-Raphaelite Brotherhood Ans.- The Brotherhood itself was formed in 1848 by three Royal Academy students: William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti. The Brotherhood first appeared in 1849 at London’s Royal Academy and Free Exhibition show.  By 1854, the Brotherhood had disbanded. The artists no longer signed their work with the Brotherhood’s

Question. The Formation and End of the Pre-Raphaelite Brotherhood | ppup part 1 english honours notes and study material pdf


distinguishing “PBR” and went their separate ways (“Pre-Raphaelite Brotherhood”). Although short-lived, the Pre-Raphaelite Brotherhood’s ideas and members had a lasting impact. Question. The significance of Pre-Raphalite Movement or Pre-Raphalite Batherhood Ans. - The movement was short-lived, but it had a profound influence on the course of literature and art during the Victorian period.  The Brotherhood rejected the British Royal Academy’s preferences and teaching methods, instead of supporting the importance of experience and truth rather than rote learning.  Their desire to depict nature, and remain loyal to its appearance, even to the point of ugliness, was also extremely influential.

Their influence extends to the works of Gerard Manley Hopkins and W.B. Yeats as well as the inception of the Arts and Crafts and Art Nouveau movements in design. Question. What are the Characteristics of Pre-Raphalite Movement or Pre-Raphalite Batherhood? Ans. - The Characteristics of Pre-Raphalite Movement or Pre-Raphalite Batherhood Listed Below: (i) The first characteristic of the Pre-Raphaelite Poetry is that it was a revolt and reaction against the conventionality of poetry represented by Tennyson.  The poets of this school revolted against the harshening use of poetry to the service of social and

Pre-Raphaelite poetry characteristics


political problems of the age. Tennyson concentrated on social, religious, and political life of the age.  It was against this age bound poetry that the Pre-Raphaelite raised their revolt and introduced the new standard of the glorification of art rather than the glorification of fleeting and temporary values of mundane life. (ii) The second characteristics is that the Pre-Raphaelites above all, were artists and their poetries were artistic creation. Art was their religion.  They were the votaries of art for art’s sake. The poetry of this movement had no morality to preach and no reforms to introduce to the correctness of societal life.

Life of beauty was their creed, and if in glorifying beauty they had to be sensuous, the feared not the charges of the moralists and orthodox puritans.  D. G. Rossetti’s sonnets in The House of Life signalise love in its glory as well as desolation.  He combines spiritual and sensuous aspects of love in his sonnets. The poets aimed both in poetry and painting at perfect form and finish. (iii) The third characteristic of the Pre-Raphaelite Poetry is that the poets, to escape from the darkness and ugliness of contemporary society, the turned their eyes to the good old days of medievalism when chivalry and knighthood, adventure and heroism were in the air. D. G. Rossetti was the hero of this return back to medievalism for poetic inspiration. His poems The

Blessed Damozel (1850) and Sister Helen (1853) are medieval in outlook and form.  The Blessed Damozel is equally inspired by The Divine Comedy by Dante. The other members of the school Hunt and Millais were a little skeptical of the medieval tradition.  There is also a note of love for the middle Ages in Christina Rossetti’s poems. Her Goblin Market (1862) is steeped in medievalism and supernaturalism.  The poem tells the story of Laura and Lizzie who are tempted with fruit by goblin merchants, who resembles animals with faces like wombats or cats and with tails. (iv) The fourth characteristic of Pre-Raphaelite Poetry is that this poetry reviving the Biblical theme, we can

see it in the poem of Christina Rossetti’s ‘Eve’ (1864) which deals with the theme of repent and sadness.  The poem set in the Biblical era. It dates back to the time after the banishment of Adam and Eve from the Garden of Eden.  This poem is Christina Rossetti’s attempts show to show the anguish and pain felt by Eve after she was banished from the Garden of Eden because of the sin she committed.  The poem ‘Eve’ shows Christina’s intellectual abilities and her deep knowledge in Catholic beliefs. (v) The fifth characteristic of the Pre-Raphaelite Poetry is that the poets of this school use metaphors to express their feelings.

Question. What are the Examples of Pre-Raphaelite Brotherhood Poetry ? Ans. - Examples of Pre-Raphaelite Brotherhood Poetry Listed Below: (i)The Woodspurge by Dante Gabriel Rossetti (ii)Dream Land by Christina Rossetti (iii)The Haystack in the Floods by William Morris   Question. What are the Examples of Artistic painting of Pre-Raphaelite Brotherhood Poetry? Ans. -  Examples of Artistic painting of Pre-Raphaelite Brotherhood Poetry are listed below:   (i) Ophelia by John Everett Millais

(ii) The Light of the World by William H. Hunt  (iii) Proserpine by Dante Gabriel Rossetti  (iv) The Finding of the Saviour in the Temple by William Holman Hunt.  (v) Christ in the House of His Parents by John Everett Millais.

Question. What is the Significance of the Pre-Raphaelite Brotherhood?


(ii) The Light of the World by William H. Hunt  (iii) Proserpine by Dante Gabriel Rossetti  (iv) The Finding of the Saviour in the Temple by William Holman Hunt.  (v) Christ in the House of His Parents by John Everett Millais.

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