Note on the Rape Of the Lock pdf download - ppup part 1 english honours notes and study material pdf - PPUP-UG-Study Material | Under-Graduate (UG) Notes for all Subjects for Patliputra university

[ Note on the Rape Of the Lock pdf download - ppup part 1 english honours notes and study material pdf ]

In this BlogPost we'll cover These Topics - ppup part 1 english honours notes and study material pdf, PPUP part 1 english honours ug study material download, PPUP part 1 english honours ug study material free, PPUP part 1 english honours ug study material online, PPUP part 1 english honours ug study material pdf, PPUP part 1 english honours ug study material quora, patliputra university guess paper 2024 pdf, The Rape of the Lock as a mock epic, The Rape of the Lock themes, The Rape of the Lock as a social satire, The Rape of the Lock PDF, Rape of the Lock Canto 1 summary, Which meter is used in the poem The Rape of the Lock, The Rape of the Lock Canto 2, Which of the following is not an episode in The Rape of the Lock

Introduction to Rape Of the Lock Poem

Table of contents - About the Poem About the Character About the Author Rape of the Lock line by line explanation to its context Canto - I Canto - II Canto - III Canto- IV Canto-V Critical Analysis of Poem Rape of the Lock Iambic Pentameter Title Meaning Politics and Religion Empire Science and Medicine Questions. Discuss The Theme of Rape of the Lock. Questions. Who is Arabella Fermor? Questions. The Story Behind Rape of the Lock. Questions. Note on the History of the Poem Rape of the Lock.

About the Rape Of the Lock Poem | ppup part 1 english honours notes and study material pdf

About the Poem The Rape of the Lock was written by Alexander Pope and first published in 1712, then reworked and published again in 1714. The poem is a mock-epic that satirizes the upper-class in London at the time. The story focuses on the central character, Belinda, whose lock of hair is cut off at a social gathering. Although trivial to most, Belinda is outraged that her lock of hair has been cut by the Baron. In the Rape of the Lock, Pope uses Belinda and the Baron to mock two of his acquaintances, Arabella Fermor, and Lord Petre. The poem follows the events of the night, leading up to Belinda’s “horrific” loss. About the Character Belinda: Beautiful young lady with wondrous hair, two locks of which hang gracefully in curls.

About the Rape Of the Lock's Character

The Baron: Young admirer of Belinda who plots to cut off one of her locks. Ariel: Belinda’s guardian sylph (supernatural creature). Clarissa: Young lady who gives the Baron scissors to cut off the lock Umbriel: Sprite who enters the cave of the Queen of Spleen to seek help for Belinda. Queen of Spleen: Underworld goddess who gives Umbriel gifts for Belinda. Thalestris: Friend of Belinda. Thalestris urges Sir Plume to defend Belinda’s honor. Sir Plume: Beau of Thalestris. He scolds the Baron.

About the Author of Rape Of the Lock

About the Author The English poet and satirist Alexander Pope (1688-1744) was the greatest poet and verse satirist of the Augustan period. No other poet in the history of English literature has handled the heroic couplet with comparable flexibility and brilliance. Alexander Pope inherited from John Dryden the verse from that he chose to perfect. He polished his work with meticulous care and, like all great poets, used language with genuine inventiveness. His qualities of imagination are seen in the originality with which he handled traditional forms, in his satiric vision of the contemporary world, and in his inspired use of classical models. Pope was born on May 21, 1688, in London, where his Roman Catholic father was a linen merchant. After the Glorious Revolution of 1688 his family moved out

of London and settled about 1700 at Binfield in Windsor Forest. Pope had little formal schooling, largely educating himself through extensive reading. Sir William Trumbull, a retired statesman of literary interests who lived nearby, did much to encourage the young poet. So did the dramatist and poet William Wycherley and the poet-critic William Walsh, with whom Pope became acquainted when he was about 17 and whose advice to aim at "correctness" contributed to the flawless texture and concentrated brilliance of Pope's verse.

Rape of the Lock line by line explanation to its context | ppup part 1 english honours notes and study material pdf

Rape of the Lock line by line explanation to its context Canto - I "WHAT dire Off ence from am’rous Causes springs, W hat mighty Contests rise from trivial  ings, I sing— is verse to C, Muse ! is due :  is, ev’n Belinda Belinda may vouchsafe to view :" "Slight is the subject, but not so the Praise, If She inspire, and He approve my Lays. Say what strange Motive, Goddess! cou’d compel A well-bred Lord t’ assault a gentle t’ assault a gentle Belle ?

Critical Analysis of Poem Rape of the Lock

dimeter in "The Charge of the Light Brigade"). Heroic couplets give you stamina; and with a poem that's over 20,000 lines long like this one, you will definitely need it. Couplets: Rhymes, End-Stopping, Enjambment While those regular, five iambs per line might help to move us forward, the heroic couplet has one characteristic that might work against us getting through the poem in a steady fashion: its rhymes. Think about it: if each couplet is composed of two rhyming lines, then those lines are going to feel like a complete unit in and of themselves. This quality of heroic couplets—or of any set of lines that you feel might be able to stand alone and apart from the poem on their own—is called epigrammatic (i.e., the lines would make a catchy epigram for something

else). That's great, but it only gets you so far in a 20,000 line poem. Pope counters the epigrammatic feel of the couplets by strategically using two poetic techniques at the end of his lines: end-stopping (where he uses a grammatical pause, like a colon, semi-colon, comma, a dash, or a period, at the end of a line), or enjambment (where there's no punctuation at the end of the line, so you're not supposed to pause as you're reading it). Title Meaning The poem's title might seem confusing until you do a little digging into the etymology of the word "rape" (etymology is the history of a word's meaning). As our world changes through history, the meanings of our words often change with it, and what a word might have meant in, for example, The Canterbury Tales in

the 14th century is not necessarily what it means in The Waste Land in the 20th. Words are a lot like snowballs in that respect: as they roll through history, they gather layers and layers of meanings. In the 18th century, in Pope's day, "rape" also meant to carry away or take something from someone by force (in medieval times, "rape" as a noun also referred to the root of a turnip. We kid you not). "Rape" did have a sexual connotation, but in no way as strongly as it does now. By using it in the title as the verb to describe what happens to Belinda's hair, Pope is playing on both layers of meaning: seizing something by force and personal violation.

Politics and Religion Politically, 1713–1714 (the years the poem was written, revised, and published) were holding-pattern years in Great Britain. The Queen that we meet in Canto III, Anne (who sometimes takes counsel with her advisors, and sometimes takes tea, remember?), was nearing the end of her reign, her life, and the end of her family, as she hadn't had any living children to inherit the throne after her. Anne's closest relative was her brother, James—but James was in France in exile, because he was a Catholic, and the British refused to have a member of the Catholic faith on their throne. In fact, the entire previous century—the 1600s—had been a time of terrible turmoil and civil war in England, during which Anne's grandfather had been

flawless texture and concentrated brilliance of Pope's verse. Critical Analysis of Poem Rape of the Lock Iambic Pentameter Heroic couplets are the ideal form to put a long, narrative poem in. We mention this in our "Form and Meter" section, too. The iambic pentameter marches us steadily forward at a pace that's not too slow (add one more foot, and it might be. Try reading Henry Wadsworth Longfellow's Evangeline, written in iambic hexameter; it will feel much longer than it is), and not too fast (think about galloping lines like Alfred, Lord Tennyson's dactylic

the teas, coffees, perfumes, and decorative items that surround Belinda's daily life. Science and Medicine This was also a time when empirical science and the profession of medicine were beginning to gather steam, after the invention of the microscope in the previous century. All of that crazy stuff in Canto IV about the Cave of Spleen? Some of it was Pope making fun of cutting-edge medical research in his day. As well he might. Another important thing to know about Alexander Pope was the state of his physical health. The poor guy had tuberculosis of the spine when he was six years old, and it stunted his growth and

curved his back into a hunch that got worse as he got older. He never grew much taller than four and a half feet (seriously) and he was in massive pain throughout his life. Legend has it the man drank thirty cups of coffee per day. Talk about self-medication. And remember there was no aspirin in the 18th century, kids. Conclusion Just when it looks like Belinda's side is winning, we discover that the lock of hair itself has gone missing. Has all of the drama been for nothing? Nope. The poem concludes with the poet himself claiming the overall victory, as he has written this beautiful poem commemorating the loss of the lock—and his own poetry chops—for all eternity.

beheaded and all kinds of social, religious, and political transformations had happened. (If you want to read more about Anne's fascinating family, the Stuarts, you can read about them here at the Official Website of the British Monarchy.) Empire The early 18th century in Britain was also a time of expanding empire. Anne's generals were very successful in the many wars they fought with France and Spain and the Netherlands, and the nation won a ton of colonies and trading rights to colonies in the Americas and on the coast of Africa. They already had those thirteen colonies in North America, and they had half of Canada. They'd begun a few outposts in India, and were trading with China, too. You can hear echoes of this imperial expansion in

Questions. Discuss The Theme of Rape of the Lock.

Although trivial to most, Belinda is outraged that her lock of hair has been cut by the Baron. In the Rape of the Lock, Pope uses Belinda and the Baron to mock two of his acquaintances, Arabella Fermor, and Lord Petre. The poem follows the events of the night, leading up to Belinda’s “horrific” loss. About the Character Belinda: Beautiful young lady with wondrous hair, two locks of which hang gracefully in curls. The Baron: Young admirer of Belinda who plots to cut off one of her locks.

Ariel: Belinda’s guardian sylph (supernatural creature). Clarissa: Young lady who gives the Baron scissors to cut off the lock Umbriel: Sprite who enters the cave of the Queen of Spleen to seek help for Belinda. Queen of Spleen: Underworld goddess who gives Umbriel gifts for Belinda. Thalestris: Friend of Belinda. Thalestris urges Sir Plume to defend Belinda’s honor.

Sir Plume: Beau of Thalestris. He scolds the Baron. About the Author The English poet and satirist Alexander Pope (1688-1744) was the greatest poet and verse satirist of the Augustan period. No other poet in the history of English literature has handled the heroic couplet with comparable flexibility and brilliance. Alexander Pope inherited from John Dryden the verse from that he chose to perfect. He polished his work with meticulous care and, like all great poets, used language with genuine inventiveness.

His qualities of imagination are seen in the originality with which he handled traditional forms, in his satiric vision of the contemporary world, and in his inspired use of classical models. Pope was born on May 21, 1688, in London, where his Roman Catholic father was a linen merchant. After the Glorious Revolution of 1688 his family moved out of London and settled about 1700 at Binfield in Windsor Forest. Pope had little formal schooling, largely educating himself through extensive reading. Sir William Trumbull, a retired statesman of literary interests who lived nearby, did much to encourage the young poet.

So did the dramatist and poet William Wycherley and the poet-critic William Walsh, with whom Pope became acquainted when he was about 17 and whose advice to aim at "correctness" contributed to the flawless texture and concentrated brilliance of Pope's verse. Major Themes in Rape of the Lock: 1. Beauty: Alexander Pope’s “The Rape of the Lock” offers an ironic glance of court life in the 18th-century, highlighting societies centralized on beauty and

appearance. The poem’s center of focus is around the experience of a beautiful woman, Belinda, who lost her lock of remarkable hair to a nobleman known as the Baron. As the poem starts to go along, it steadily becomes sillier and sillier and the characters collapse into a battle over the lock. Pope’s added Clarissa’s speech into the poem, which argues that women spend much time on their looks rather than thinking to become a better person and serve society. The main thesis of Pope was that this kind of self-obsession is useless and radically nonsense. However, the poem’s conclusion seems to suggest that true beauty would be of some value, but if it becomes the

subject of poetry, thus it achieves a kind of literary immortality. 2. Religion and Morality: Religion and morality is also also on of the major themes in Rape of the Lock. Pope’s poem is full of moral questions about religious culture and life in the 18th-century. The time when the poem was written, England’s last Catholic monarch had been deposed. England, once again, became a Protestant Nation. At that time, Protestant bitterly criticized Catholics, believing that Catholics had strayed from the worship of God.

Pope was from a Catholic family. Throughout the poem, it is possible to detect humorous evaluation of Protestantism. Protestants made life very difficult for Catholic families to own a land or live in London. Pope parodies the hypocritical religious rhetoric of that time and suggests that Christianity is not the best lens. It cannot be used to understand the mysteries of human behavior and self-obsession. 3. Theme of Immorality and Carefree Nature of Upper Class

Pope has presented that in a matter of times the careless and casual response of high society is dangerous. He presented the society where the upper class is busy in pursuit of their own goals through trivial and vain. He portrayed that upper class people just think about themselves and obsessions. In this poem, the society displayed is one that fails to distinguish between things that matter and things that do not. What they care about is their personal life, luxuries, pomp, vanity. A life that is matchless to the ordinary and the common. He makes fun of their stupid deeds and self-

obsessed attentions. He has disguised that this society just leads to immorality and distraction between humans. Alas, in the end, all upper-class people stay empty-handed. 4. Female Desire and Passion Pope has made fun of women; they just think and are concerned about their beauty aids alone. He presents Belinda like an epic heroine. He symbolizes that this mock-heroic epic is Belinda’s maidenhood. Pope says that women do not have a fair chance because they are even more self-conscious and limited by society’s rules and regulations than men are.

Clarissa’s speech is a fine example of this attitude and also deals with the situation ideally with a smile rather than do anything to change it. Women, in the poem, are illustrated as being more in control of society than men are. It is obvious to us that if you put a bunch of attractive, well-off, and bored young men and women together. They will get attracted to one another, feel desire for one another, have dreams about one another; maybe they even fell in love. Pope depicts in The Rape of the Lock the trouble with the society is absolutely threatening and no way for anyone in it to safely express or act on his or her sexuality, desire, lust, life, feelings or love.

5. Theme of Love in Rape of the Lock Pope thinks that love has no importance for the characters in this poem. For the Alexander Pope, the upper class believes only in victory and defeat. Love has no value in their unthinking minds. Belinda meets with a smile but yields and bow down to none. The poem has also symbolized Belinda’s character as a strong modern woman, who loves her beauty more than anything else. Baron loved to have an affair but without feelings and pure attention, it would be considered a victory.

The society portrayed in The Rape of the Lock seems constructed to deny each other’s real feelings. For them, live-in relationships were common, but love in those relationships was counted as something odd. 6. Theme of Pride in Rape of the Lock Pride is also one of the major themes in the Rape of the Lock. We can say that the pride of a woman is natural to her, never sleeps, until modesty is gone. Beauty can be without pride and our dear Belinda handles it best of all. She takes care that no one would go without looking at her with a full glance. Baron decides to take revenge on Belinda by stripping her beloved lock of

hair. Baron tried to get Belinda by force but not by marrying her, he tried to win over her but failed. As Belinda’s pride, self-respect and beauty were more important for her than anything else. Conclusion Just when it looks like Belinda's side is winning, we discover that the lock of hair itself has gone missing. Has all of the drama been for nothing? Nope. The poem concludes with the poet himself claiming the overall victory, as he has written this beautiful poem commemorating the loss of the lock—and his own poetry chops—for all eternity. Poetry and Alexander Pope, rather than vanity and petty quarrelling, win in the end.

Questions. Who is Arabella Fermor?

Questions. The Story Behind Rape of the Lock.

Belinda: Beautiful young lady with wondrous hair, two locks of which hang gracefully in curls. The Baron: Young admirer of Belinda who plots to cut off one of her locks. Ariel: Belinda’s guardian sylph (supernatural creature). Clarissa: Young lady who gives the Baron scissors to cut off the lock Umbriel: Sprite who enters the cave of the Queen of Spleen to seek help for Belinda.

Queen of Spleen: Underworld goddess who gives Umbriel gifts for Belinda. Thalestris: Friend of Belinda. Thalestris urges Sir Plume to defend Belinda’s honor. Sir Plume: Beau of Thalestris. He scolds the Baron. About the Author The English poet and satirist Alexander Pope (1688-1744) was the greatest poet and verse satirist of the Augustan period. No other poet in the history of English literature has handled the heroic couplet with comparable flexibility and brilliance.

Alexander Pope inherited from John Dryden the verse from that he chose to perfect. He polished his work with meticulous care and, like all great poets, used language with genuine inventiveness. His qualities of imagination are seen in the originality with which he handled traditional forms, in his satiric vision of the contemporary world, and in his inspired use of classical models. Pope was born on May 21, 1688, in London, where his Roman Catholic father was a linen merchant. After the Glorious Revolution of 1688 his family moved out of London and settled about 1700 at Binfield in Windsor Forest.

Pope had little formal schooling, largely educating himself through extensive reading. Sir William Trumbull, a retired statesman of literary interests who lived nearby, did much to encourage the young poet. So did the dramatist and poet William Wycherley and the poet-critic William Walsh, with whom Pope became acquainted when he was about 17 and whose advice to aim at "correctness" contributed to the flawless texture and concentrated brilliance of Pope's verse. History of the Story "Rape of the Lock"

Pope wrote The Rape of the Lock in response to a request made my his friend John Caryll, a prominent Roman Catholic of the time. Caryll explained that his friend, Lord Petre, had cut off a lock of Arabella Fermor’s hair. Ever since the incident, the families had been feuding. In order to make light of the situation, Pope wrote The Rape of the Lock. “The stealing of Miss Belle Fermor’s hair, was taken too seriously, and caused an estrangement between the two families, though they had lived so long in great friendship before. A common acquaintance and well-wisher to both, desired me to write a poem to make a jest of it, and

laugh them together again. It was with this view that I wrote the Rape of the Lock.” Conclusion Just when it looks like Belinda's side is winning, we discover that the lock of hair itself has gone missing. Has all of the drama been for nothing? Nope. The poem concludes with the poet himself claiming the overall victory, as he has written this beautiful poem commemorating the loss of the lock—and his own poetry chops—for all eternity. Poetry and Alexander Pope, rather than vanity and petty quarrelling, win in the end.

Questions. Note on the History of the Poem Rape of the Lock.

In the Rape of the Lock, Pope uses Belinda and the Baron to mock two of his acquaintances, Arabella Fermor, and Lord Petre. The poem follows the events of the night, leading up to Belinda’s “horrific” loss. About the Character Belinda: Beautiful young lady with wondrous hair, two locks of which hang gracefully in curls. The Baron: Young admirer of Belinda who plots to cut off one of her locks.

A year later, Pope improved upon his work by polishing the piece, as well as adding elements from the supernatural. However, this version was not published until 1714. Finally, in 1717, upon preparing for a publication of a collection of his work, Pope wrote the version that we know today. This version is five cantos long, and includes Clarissa’s speech, which aids in describing the morality behind the poem. However, it is interesting to note that by the time Pope had finished the latest version, Lord Petre had died of smallpox, and Arabella was married, so the feud which the poem was originally written to mend was no longer relevant Conclusion

Just when it looks like Belinda's side is winning, we discover that the lock of hair itself has gone missing. Has all of the drama been for nothing? Nope. The poem concludes with the poet himself claiming the overall victory, as he has written this beautiful poem commemorating the loss of the lock—and his own poetry chops—for all eternity. Poetry and Alexander Pope, rather than vanity and petty quarrelling, win in the end.

Conclusion for Note on the Rape Of the Lock pdf download

I hope You got what you were looking for ..reading this post Note on the Rape Of the Lock pdf download - ppup part 1 english honours notes and study material pdf ... and if you got any query ..you can comment below so we can provide you further assistance.

Header Ads

Note on the Rape Of the Lock pdf download - ppup part 1 english honours notes and study material pdf