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Modern poetic drama notes pdf free download - ppup part 1 english honours notes and study material pdf

September 15, 2024 0
[ Modern poetic drama notes pdf free download | ppup part 1 english honours notes and study material pdf ]

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Introduction to Modern poetic drama notes pdf free download


History of Poetic Drama 2 Old Poetic Drama writers and their works 3 Origin of Modern Poetic Drama 4 Modern Poetic Drama writers and their works 7 Modern Poetic Drama poets 8 Difference Between Poetic Drama And Prose Drama 11 Characteristics of Poetic Drama 12 {Introduction} The poetic drama is a great achievement of the modern age. It is a mixture of high seriousness and colloquial element. It is the combination of the tradition and the experiment and of the ancient and the new. It is

History of Poetic Drama | ppup part 1 english honours notes and study material pdf


symbolic and difficult. Its verse form is blank verse or free verse. In short, its vehicle is verse, its mechanism is imagery, its substance is myth and its binding force is musical pattern. History of Poetic Drama Poetic drama reached its pinnacle in Elizabethan England because during this time, poetry came to be recognized as the medium of drama. Aeschylus, Sophocles and Euripides wrote great poetic plays which were saturated with intense emotions. The adventurous spirit of the age can nowhere be seen more clearly than in dramatic poetry.

After Shakespeare, there came a steady decline in poetic drama. It was only Webster who could touch the greatest heights and though his verse could have great power, it was often faulty. Old Poetic Drama writers and their works A Midsummer Night’s Dream By William Shakespeare Samson Agonistes by John Milton The Cenci by PB Shelley

Origin of Modern Poetic Drama


The King by Stephen Phillips Origin of Modern Poetic Drama Herod, the first poetic-play of Stephen Phillips, appeared in 1901, and this marks the beginning of the revival of poetic drama in the 20th century. Irish dramatists, like W.B. Yeats, J.M. Synge, Sean O’Casey, also played a significant part in the moment for the revival of verse play. Other great names in the revival movement are John Masefield, Cristopher Isherwood, W.H. Auden, Stephen Spender, and Cristopher Fry. However, it is T.S. Eliot who, both through his theory and practice of poetic drama, has achieved considerable success in

establishing tradition of poetic plays in the 20thcentury. The 18th and the 19th century contributed little to the development of poetic drama due to the unfavourable conditions. There were signs of rebirth of this drama by 1920. But it could not gain much ground. The reason was that most of the dramatists of this period were interested in realistic drama. A change was noticed with the passage of time. The disciples of Ibsen began to be overshadowed. At the Abbey Theatre Yeats tried to revive poetic drama.

But he could not succeed. It was T.S. Eliot who firmly established it. He prepared the concrete ground for it by saying that the craving for poetic drama is permanent in human nature. He added that poetry was the complete medium for drama. Before T.S. Eliot some dramatists tried to create a taste for poetic drama. This attempt helped Eliot in making his valuable experiments in poetic drama. Among these dramatists Stephen Phillis, John Masefield, Gordon Bottomley, Flecker and John Drinkwater are important. They all experimented in Poetic Drama and prepared ground for Eliot. Their plays vitalised the course of poetic drama.

Modern Poetic Drama writers and their works


Modern Poetic Drama writers and their works The Tragedy of Nan by John Masefield The Ascent of F6: A Tragedy in Two Acts by Cristopher Isherwood The Dance of Death by W.H. Auden The Lady's Not for Burning by Cristopher Fry

Modern Poetic Drama poets | ppup part 1 english honours notes and study material pdf


Modern Poetic Drama poets W.B. Yeats: W.B. Yeats, Lady Gregory and J.M. Synge established the Abbey theatre in Dublin to encourage the poet - playwrights. At this theatre Yeats endeavoured to revive poetic drama. He wrote about twenty-six plays in verse but Yeats was more of a poet than dramatist. His plays are rich in poetical intensity. Eliot has praised his contribution to poetic drama. Yeats' important plays are on Baile's Strand, The Resurrection and Deirdre.

T.S. Eliot: Eliot propounded the theory of the poetic drama. It was he who established its tradition in 20th century. The murder in the Cathedral is his first full-length poetic play. The family Reunion, The Cocktail Party, The Confidential Clerk and the Elder Statesman are his other important poetic plays. Through these plays he evolved a befitting poetic mode of expression for the poetic drama. He discarded the use of traditional blank verse. He carefully avoided any echo of Shakespeare. He explored the dramatic possibility of verse and extended the scope of poetic drama.

Auden and Isherwood: Auden wrote two plays alone and three plays in collaboration with Isherwood. Audern's The Dance of Death is an important poetic drama. Isherwood's Ascent of F6 and Across the Frontiers are important plays. His plays deal with symbolic situation and cartoon characters. Stephen Spender: He wrote Trial of a Judge. But it can't be considered to be a poetic play of permanent value. John Masefield, Drinkwater, Macneice, Duncan, and Ridler are the other dramatists that have enriched the field of the poetic drama.

Christopher Fry: His 'The Lady Is Not For Burning' is an important experiment in verse and technique. In 'Venus Observed' Fry uses simple poetic language. Difference Between Poetic Drama And Prose Drama 1. In verse drama, character talk in verse while in prose drama characters talk in prose.

Difference Between Poetic Drama And Prose Drama


2. Prose drama concentrates its imitation on the outermost reality while the second on the innermost reality of life. 3. Poetic drama induce deepest sense of joy in life and strongly reminds its witnesses that they have the power of being conscious of their own lives, while in prose drama, simple description wrapped in reality is presented. 4. Through its poetic equipment, poetic drama gives us sensuous joy, while prose drama gives a detailed description of events happened in the drama.

Characteristics of poetic drama


Characteristics of Poetic Drama Following are the chief characteristics of verse drama: 1.The pictorial quality and expressive sensuousness of poetic drama is vivid. In Macbeth, we are moved by Macbeth and his wife haunted by remorse and fear. We are also moved by Hamlet desperately trying to see his mother in sin and disloyalty. The images and language presented in a poetic drama make it intensely vivid and serves as the total image and the sense of distilled human reality we observe in it. 2. Intimate cooperation between dramatist and character is the heart of poetic drama. Unless the dramatist’s imagination warms the actor’s

imagination, no theatrical experience can come out because then, nothing remains to share with the audience. 3. Poetry introduces sensory experience into drama which always remains abstract and along with that it interprets the action by setting it in a large context of moral and spiritual world. 4. The poetic dramatist must unite whole drama in a manner of analogous with music. This organic order coming from within not as technical order imposed from within is quite impossible to prose because poetry has greater scope and flexibility.

5. The poetic dramatist’s apprehension of experience is not ad hoc contrivance. The symbolic system of Ibsen’s prose style is mutually exclusive and the poetic world of Shakespeare’s plays, although they have different atmosphere, they belong to same planetary system 6. Religious attitude to human life is essential for writing a true verse drama. Except Auden and Isherwood, all the major poetic drama of the last thirty years have been religious to the core. The significant phase of poetic drama began when drama retreated to its origin inside the church. Then, from church, it moved to commercial theaters.

Like other kinds of drama, poetic drama should aim at entertaining the public. The Elizabethan drama aimed at general public which only wanted entertainment of a simple kind. But in the present times, the problems of contemporary life should be the leit-motif of poetic drama.

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